MOTION

UNDERWATER NATURAL HISTORY

COMMERCIAL WORK

UNDERWATER NATURAL HISTORY

UNDERWATER NATURAL HISTORY

COMMERCIAL WORK

COMMERCIAL WORK

STOCK FOOTAGE

A collection of of underwater natural history footage captured on DSMC3 RED V-Raptor VV and RED Komodo 6K in resolutions ranging from 4K to 8K in REDCODE RAW (.R3D) format. Exclusive and non-exclusive licensing options are available.

RENTAL EQUIPMENT

Explore the camera equipment I’ve carefully built up throughout my career, ideal for underwater natural history filmmaking. It’s the setup I feel most comfortable working with, giving me the flexibility to adapt to different environments, subjects and shooting conditions.

Here are two examples of different approaches to my cinematography, from natural history to commercial and fiction work. The first is a short sequence put together from footage I filmed while working in the Banda Sea, Indonesia, capturing the beauty of the place and the incredible creatures that inhabit it. The second showcases a more commercial approach, aimed at fiction and advertising productions, particularly for local production companies in Spain.

Here are two examples of different approaches to my cinematography, from natural history to commercial and fiction work. The first is a short sequence put together from footage I filmed while working in the Banda Sea, Indonesia, capturing the beauty of the place and the incredible creatures that inhabit it. The second showcases a more commercial approach, aimed at fiction and advertising productions, particularly for local production companies in Spain.

a man and woman sitting at a table with an open book

STOCK FOOTAGE

STOCK FOOTAGE

A collection of underwater natural history footage captured on DSMC3 RED V-Raptor VV and RED Komodo 6K in resolutions ranging from 4K to 8K in REDCODE RAW (.R3D) format. Exclusive and non-exclusive licensing options are available.

RENTAL EQUIPMENT

RENTAL EQUIPMENT

Explore the camera equipment I’ve carefully built up throughout my career, ideal for underwater natural history filmmaking. It’s the setup I feel most comfortable working with, giving me the flexibility to adapt to different environments, subjects and shooting conditions.

© 2026 David Serradell. All rights reserved.

© 2026 David Serradell. All rights reserved.

© 2026 David Serradell. All rights reserved.